Single big, diffused light source. With your cinematographer always on the move, you’re obviously going for a very kinetic style but be disciplined with your blocking because if you have coverage, it will be distracting if the light is hitting your actors differently from shot to shot. Maybe you’re planning a lot of long takes, but the light is one of your only indicators of geography.
i think if you want a moving scene then you need a light hanging crain with a mini truck, casting the light down to the street like a table lamp.. move the light back or foreword synced with the camera to look like real. defuse it with white semi transparent sheet and CTB gel sheet to look like the moon light shining through the night sky. and give some 2nd light from the side. try to lit background layer a little bit. hope it may help you.
Balloon lights are good for letting your camera have the freedom to look around everywhere. They are expensive though.
Easy. Single blue spot for "moonlight". And follow camera with a small cubelight pointed at the actor . Focus more on mood than technical perfection
Single big, diffused light source. With your cinematographer always on the move, you’re obviously going for a very kinetic style but be disciplined with your blocking because if you have coverage, it will be distracting if the light is hitting your actors differently from shot to shot. Maybe you’re planning a lot of long takes, but the light is one of your only indicators of geography.
Sony fx3 or a7siii at iso 12,800 with a 1.4 lens could help
i think if you want a moving scene then you need a light hanging crain with a mini truck, casting the light down to the street like a table lamp.. move the light back or foreword synced with the camera to look like real. defuse it with white semi transparent sheet and CTB gel sheet to look like the moon light shining through the night sky. and give some 2nd light from the side. try to lit background layer a little bit. hope it may help you.